228 154 9883


Prolongación Encinos #56, Col. Pedregal de las Ánimas 91190, Xalapa-Enríquez


In Media Res

In Media Res

In Media Res

Curator’s Note

David Fincheris the social networking (2010) informs a tale of this delivery associated with the social networking industry, exposing the work behind the tradition of electronic involvement. Fittingly, it really is a narrative that is enthusiastic about identification, specially course identification but similarly racial and cultural identification. The social networking can also be saturated in Asian females, a well known fact that is noted by Roger Ebert, one of many few movie critics who is able to be counted on to see individuals of color in popular cinema, both in their existence and their lack. A fuller picture of why they are so present yet so absent in this story of digital hypercapitalism in his Chicago Sun-Times review Ebert notes how puzzling it is that the film depicts Asian women so promiscuously in both sense of the word–Christy and Alice, played by Brenda Song and Malese Jow, are depicted as sexually aggressive, approaching Mark and Eduardo during a lecture, asking them out for a drink, and eventually performing fellatio on Mark and Eduardo in adjoining stalls in a Cambridge pub bathroom–yet fails to give viewers. Ebert writes “A subtext the film never reviews on is the omnipresence of appealing women that are asian. Many of them are smart Harvard undergrads, two of those (allied with Sean) are Victoria’s Secret models, one (Christy, played by Brenda Song) is Eduardo’s gf.” the movie illustrates Asian females as idle arms when you look at the industry that is digital respected and included limited to their intimate work as hypersexualized, exotic sirens. Alice and Christy can be found at a scene that is key which Zuckerberg assigns jobs within Facebook’s business hierarchy, but their offer to get results at the fledgling business is refused. This depiction of Asian ladies as intimate partners into the new captains of digital companies conceals their key functions within these companies as non-sexual workers. Asian females employees in Asia and Southeast Asia assembled the equipment that hosts our Facebook pages additionally the mobile computer that Zuckerberg utilized to create Facebook’s code. Depicting Asian ladies’ work as intimate in the place of technical obscures rather than reveals the employees of color who “make” social networking.

sensory faculties of “exposure”

Thanks, Lisa, because of this wonderful post. We especially like just how, close to the end of one’s reviews, you are just starting to unpack the methods when the hyper-sexualization and exoticization that is erotic of ladies in fact obscures their existence as raced subjects–one wants to express, raced laborers. At the least within the videos you reveal (and the thing I keep in mind associated with the movie), it would appear that Christy and Alice aren’t portrayed as unintelligent or physically unable. Certainly, they truly are Harvard russian bride pupils, and their intimate methods appear shrewd from the specific point of view. Yet you’re right that after they have sidelined by Mark’s division of work, their intimate and sex shows make it possible to obscure the racist divisions of labor already contained in the industry Mark along with his cohort are entering. It appears right right here that competition will act as a type of hinge: the ladies’s racial identities intensify the very sexualizing and exoticizing energies which help to obscure other, less convenient components of that extremely identity–that is, its place within a exploitive work system.

Thanks once again for the contribution that is great i actually do desire to see a lot more of this task in the foreseeable future!

  • Sign in or register to answer this remark

I must say I appreciate the application associated with the historic construction of “convenience ladies” to your intersection of racism and sexism into the social networking. The whitewashing of Silicon Valley in this film ended up being additionally really unpleasant in my experience; we kept thinking about Chela Sandoval’s great “New Sciences” essay as I simultaneously wondered just just just what happened to your male that is asian-American Mark “hired” at Harvard who had been evidently changed by white Stanford co-eds during the Facebook workplaces. There’s alot more let me state about this, however the concern I would like to ask you is mostly about Christy’s psychic devolution during the period of the movie, from a sexually-empowered (albeit, as you explain, narratively marginalized) university student upon very very very first introduction to a pyromaniac that is neurotic her final scene. The myspace and facebook does not seem to do anybody any worthwhile in this film (no-one’s any happier for it), but Christy to their interactions truly suffers the essential. She appears, to my eyes, to reduce her head in addition to her self sufficiency. Do you realy just just take this scene as proof of her victimization, or could we read it as acting out against a patriarchal value system that pushes her to the part of convenience woman and renders her with nothing to complete?

  • Sign in or register to answer this remark


I believe you have struck on a fascinating stress in the film, one between showing white male privilege and reifying it.

My impression that is first of pretty terrible depiction of Asian ladies in the movie — specially set alongside the other two females played by Rashida Jones and Rooney Mara — had been the movie had been attempting to mark this business as crooks, and therefore media empires in many cases are started by (misogynistic) bad guys. There is a method to see the movie being an exposition of (white, male, right) elite privilege, an area where there is maybe perhaps not space for anybody else (one of Twitter’s founders is homosexual, nevertheless the tale has short amount of time for that information either). The movie’s dark environment as well as its multitude of narcissistic jerks could be read as critical of everything the inventors do, not just their attitudes towards females but additionally their alternatives in establishing Facebook as well as the web site’s politics.

All having said that, i am unsure the movie does a complete great deal to market that form of reading, that is instead nice to my component. We question most viewers selected on these depictions (while you talked about, many critics decided to ignore it) and less nevertheless will ask: “hey, as these are Harvard gals, are not here a lot of productive working Asian women we are maybe not seeing?”

Wonderful insights, as constantly.

  • Sign in or register to answer this remark

Limitations of social realism?

I experienced this exact same discussion during the Golden Globes, for which We took the movie to endeavor because of its unimaginative depictions of females. A pal held the view that the movie had been critiquing the tradition of male privilege in tech start ups (as well as Harvard!) and, further, felt that the film had been essentially practical in neglecting to express strong feminine characters! Which raises a question: is it possible to critique the dominant that is cultural the mode of social realism that Sorkin favors? Or do you need some mode of exaggeration, satire, surrealism, one thing?

  • Sign in or register to answer this remark

That is precisely the concern, and demonstrably there is no answer that is right. Exaggeration is very important. It brings into sharper focus dilemmas otherwise concealed, because we do not love to explore them. Realism is necessary is lure people into the storyline.

Why is The myspace and facebook so vexing can it be is both realistic (such as a notably real tale) and, for me, exaggerated — the copious sex and drugs, its overly articulated Sorkinesque discussion and nearly campy depiction of Harvard. However a wide range of audiences might miss its excesses and any (possible!) social message.

  • Sign in or register to answer this comment

Asian Women and Cyber-Punk Fiction

I desired to hold back to answer this interesting post till I ran down to the local Redbox and rented the movie after I had the chance to see the Social Network so this afternoon. After reading your post today my attention had been interested in the asian ladies that look for the movie. We quite definitely buy into the point which you make that the main focus on sex obscures the labor that is real of individuals into the creation of electronic tradition. But we wonder in the event that option to wallpaper the movie with asian females had one thing related to the legacy of cyber-punk fiction. As an example, David Fincher’s moody nightclub’s reminded me personally of Chiba City from William Gibson’s Neuromancer. Gibson’s cyber-punk novels imagine an electronic digital future described as a mixture of asian and western tradition. Possibly the filmmakers had been wanting to mirror this legacy without stopping to unpack its implications. As well as the legacy of cyber-punk pictures, We pointed out that the film reasserts lots of the tropes of 80s and 90s production culture that is digital. Computer nerds versus jocks. “no-collar workers” versus suits. Endless workdays and available office floor plans. I will be perhaps not providing this description as a reason. I will be simply suggesting that asian females have grown to be one thing of the meeting in depictions of hacker/digital tradition.

  • Sign in or register to answer this remark

exemplary commentary

Great remarks, and I also specially accept Tavia and Aymar: the relative line between review and “realism” might be difficult to see. That you cannot run a reasonable tech start up in California without hiring lots of Asians and Asian American of both genders to work at it because I come from Silicon Valley, it is absolutely obvious to me. Lots of my asian feminine friends from twelfth grade now act as task supervisors at silicon valley businesses so in retrospect i needed to publish about this–the movie has its mind within the sand re: asian labor that is female a lot of means. We have since discovered that Priscilla Chan, Zuckberg’s gf since university, worked at Twitter while she is at Harvard, so that the movie’s framing of Asian US ladies as beyond your circuit of manufacturing is a dynamic repression of exactly what may seem like a fact that is historical. In accordance with the Time Magazine article about Zuckerberg as guy of the season, they came across at A jewish fraternity, that will be where in fact the myspace and facebook illustrates an integral scene during which Eduardo speculates in the “connection” between Jewish guys and Asian ladies.

Caetlin, i believe that Christy’s devolution through the film should indeed be important. It’s that bipolar image for the woman that is oriental both flexible and also as a dragon woman.

No Comments

Post A Comment